Dress made of fine cotton in tabby weave and embroidered with white cotton yarn. Embroidered fabric probably from India, dress England, 1785-1800.
#SPK_CurationCollection Kunstgewerbemuseum Berlin. ©Staatliche Museen zu Berlin, Photo: Stephan Klonk
Daughter of a gun (ﾉ´ヮ´)ﾉ*:･ﾟ✧ No idea if such a thing existed but surely there had to be girls born on board in the Age of Sail?
*puts on obnoxious historian hat*
*clears throat*
there were actually tons of women and girls on board ships during the age of sail and it’s really cool history that no one!!! ever!!! talks about!!!
like captains of merchant ships used to bring their wives and children on board for long voyages all the time (and of course there were plenty of well known female pirate ship captains, and women cross-dressing as men, and prostitutes that more people seem to know of)
there’s actually a really amazing story of one woman, Mary Ann Patten, who was the wife of the captain of this ship called Neptune’s Car. Captain Patten decided that he wanted her onboard with him and she was super about this and learned all about navigation and sailing and everything. so this one voyage they’re going around the tip of south america when her husband gets sick and is bed ridden with a fever right as the ship sails into one of the worst storms any of the crew had ever seen and it looks like they might lose the ship or have to stop
so you know who takes over??? the first mate???
no.
MARY
she took over the whole crew and sailed that ship through freezing water and pack ice and had it coasting smoothly into the san francisco harbour like it was nothing. and she did this all at age 19. while pregnant.
at one point the first mate tried to get the crew to mutiny against her but they all rallied with her and told him to shut the heck up because she obv knew what she was doing.
there’s a great book about women in the age of sail called ‘female tars’ by suzanne stark that i cannot recommend enough and has way more amazing stories and insights about the myriad roles women and girls played aboard ship during that time period.
(sorry i totally didn’t mean to hijack your post i love all of your art and this is gorgeous i just got over excited sorry sorry sorry)
We need links!
Female Tars: Women Aboard Ship in the Age of Sail by Suzanne Stark
Hen Frigates: Passion and Peril, Nineteenth-Century Women at Sea by Joan Druett
Hen Frigates: Wives of Merchant Captains Under Sail by Joan Druett
Iron Men, Wooden Women: Gender and Seafaring in the Atlantic World, 1700-1920 edited by Margaret S. Creighton and Lisa Norling
Petticoat Whalers: Whaling Wives at Sea, 1820-1920 by Joan Druett
Sea Queens: Women Pirates Around the World by Jane Yolen
Seafaring Women: Pirate Queens, Female Stowaways and Sailors’ Wives by David Cordingly (Also published as Women Sailors and Sailors’ Women: An Untold Maritime History)
The Captain’s Best Mate: The Journal of Mary Chipman Lawrence on the Whaler Addison, 1856-1860 by Mary Chipman Lawrence
A while ago, for fun, I started doing some reading on some of the stranger naming choices made by the Puritans between the seventeenth and nineteenth centuries. (Yes, for fun. I am a dork.) Here are a few of my favourites:
A Sussex jury roll from the 1600s includes the names…
Psssst – I broke 30,000 words on She Whom I Love this afternoon. I normally only put updates and stuff over on my tumblr for those who are actually interested in the process and squeeing with me, but I’m excited by this book. I already ‘know’ Sophie from her appearance in Rite of Summer, but figuring out who Meg and James are has been a long process – and I’m not done yet. But yes! About a third of the way through, and I’m super-excited.
My biggest surprise so far: ‘Three-fingered Jack’ from my ‘useful incidental characters’ list is no longer a pickpocket; he’s named himself props master at the Haymarket instead. When they come out of the gate like that, who am I to argue?
30,000 words on She Whom I Love. Cracked the 1/3 mark… ish. probably. ‘it on’ has been gotten.
Now to go vacuum.
Perhaps the most evocative fatal fashion trend of the 19th century is the color green. Before inventor Carl Wilhelm Scheele came along near the end of the 18th century, there was no color fast green, only the option to do a blue overlay with yellow or vice versa. By mixing arsenic and copper, Scheele developed a pigment that would hold, whether in wallpaper, paintings, or clothing. It also happened to look fantastic under natural and new gas light, an important duality for the time. By the mid-19th century, when, as Matthews David notes “nature was disappearing from the environment,” this “Emerald Green” was incredibly popular in artificial flowers. – from Fatal Victorian Fashion and the Allure of the Poison Garment
‘she tripped, but a pair of strong arms grabbed hold of her from behind before she hit the floor’
‘…she tilted her head back to look into his eyes, enjoying the feel of his warm arms wrapped around her torso’
‘…her hands intertwined behind his neck as their lips met’
‘…she wrapped her legs around his waist as
PROPER TRANSITION
IMPORTANT
relevant
The peacock flower (or flos pavonis) is an arresting plant, standing nine feet tall in full bloom, with brilliant red and yellow blossoms. But it’s more than beautiful; it’s an abortifacient, too. One of the most striking records of the plant comes from German-born botanical illustrator Maria Sibylla Merian who, in her 1705 book Metamorphosis of the Insects of Surinam, recounts:
An absolutely fascinating article on the medieval and early modern access to abortifacients, and the erosion of reproductive freedoms for women over the past two hundred years. Well worth a read.
Gives me life
Ah, language. The things one can do with a pen or tongue are marvelous, are they not?
